How I’m spending Mother’s Day
It is Mother’s Day. My mom always says that Mother’s Day is especially for the mothers who are still raising kids. They are the ones who need a break and a special treat. I am still one of those moms. I have three teenaged sons and one extra teenager, on loan from Italy, this year. I fully intended to do exactly what I wanted to do on Mother’s Day this year, and I have—so far.
I slept in late. I had coffee with my husband. Then I spent about three hours cleaning the house by myself. I put in my earbuds, turned the music up loud enough so I couldn’t hear my own singing, and started in the kitchen while Sam worked upstairs in our room and our teenagers left me alone.
I washed dishes, scrubbed countertops, cleaned a bathroom, vacuumed, wiped down furniture, cleared clutter—all while singing along with Adele and Maroon 5 and Ed Sheeran and Snow Patrol. It was exactly what I wanted to do, and exactly what I so often cannot do.
It is a rare day that I am not prevented from doing something because of pain or exhaustion. This morning the pain was minimal—the burning had not started in my hands yet, the numbness and throbbing was not in my feet or legs, my shoulders, elbows, back, and hips felt remarkably okay. The aches and weariness weren’t there. So I cleaned.
I know it’s more common for kids to do things for the mom on Mother’s Day rather than the mom do extra work. In my case, though, my kids do extra work every day because of my health. They help me cook, they help me grocery shop—or they do those things on their own. They usually clean the house while I act as supervisor. Every night they clean up after dinner. They do their own laundry. They take care of our giant bulldogs—I don’t have the strength to take them out to pee. They open jars that are too tight. They help me get up when the pain is really bad. They walk slower so I’m not left behind. They make me cups and cups and cups of coffee. They distract me when it hurts. They get things I can’t reach.
They never complain about my health. They never make me feel bad about feeling bad. They let me hug them for as long as I need to. They are patient when I am struggling. They are sensitive and kind when I am overcome with frustration with all that this dumb disease has taken from me, even though I have it so good.
But this morning was not really about giving them a break, even though I am sure they were happy about not having to do quite as many chores, and I was happy to give them a break. It was more about me getting to do something I would have done with ease before. The difference this morning was that it was not as easy, but it was much more filled with joy. I felt like me. I felt useful. Also, I love singing with Adele.
I think I will skip cooking dinner tonight, though. Pizza in front of the television with my husband, our boys, and the bulldogs sounds perfect. Plus the kitchen is so clean right now.
I took this picture a year ago, just days before the pandemic changed everything. I took this picture at the start of our Sweet Sixteen game in the Kentucky Girls Basketball State Tournament. When I took this picture, I knew the girl in the middle, number 20, only because she had a class with one of my sons and she was a starter on the basketball team. I vaguely knew her first name and could not tell you her last name.
That night a year ago, as she stood looking back over her shoulder at her teammates with her hands on her hips, Amiya was ready to play, to win, to move on to the next game and the next and the next. She played with fierceness, with boldness. As her posture in this picture might suggest, Amiya approached the game with comfort and confidence. I know little about basketball, but I watch sports enough to know that Amiya has skill on the court that is rare and magical.
I couldn’t wait to watch them play the next game.
But there would be no next game for anyone. The entire tournament was canceled because of the Covid pandemic. An eight-way tie. No final four. No championship game. No trophy. No celebration. No winner.
But there have been so many losers this year. We have all lost something. While not getting to finish a tournament--or go to prom, attend graduation, or hang out with friends on the weekends during the only time you will be a senior or a junior in high school--is so small compared to what others have lost, these are still real losses that cause real hurt for our kids. They have felt it in so many ways.
This year, Amiya and the rest of the girls basketball team became a symbol of perseverance, resilience, and positivity during trying times. They made it to the Sweet Sixteen again this year after an amazing season.
I told one of my classes just the other day, this is not really about basketball at all. This is about school unity, community, morale. During a school year when so much of our lessons were done virtually, when we don’t know what others look like without masks on, a year with no pep rallies, few clubs, no lingering in the hallways or lobby to socialize, no field trips, and I could go on, we need a reason/excuse/opportunity to come together and cheer and celebrate. The basketball team has given us just that.
This next picture is the start of the Elite Eight game, the game our team could not play last year because of the pandemic. The picture is taken from a different angle, but it is still Amiya. This time, I know her. This time, I sought her out. I was talking to my friend as the game began, and I interrupted my own sentence--”Wait, I’ve got to find Amiya and take a picture.” And I did. Because this year, I know this child. The Amiya I know is a beautiful soul who sits in my third period and makes me laugh. She is the one who raised her hand a few weeks ago while I was reading one of my blog posts. Thinking it was urgent, I let her speak, “Excuse me, Mrs. Potter, I was just wondering when you were going to write a blog post about me,” she joked. (Here it is, my silly darling.)
This year, when I watched her play, when I watched her charge down the court with such fierceness and speed, with such courage and resolve, I also saw the person she is off the court. This year, every time she was under the net and the other team rained down on her, I drew in breath, not because I was afraid she wouldn’t score, but because I was terrified she would get hurt. Several times she was knocked in the face, at least once she was poked in the eye. I feared for her safety. “Don’t get hurt, don’t get hurt, don’t get hurt,” I whispered, while everyone around me yelled.
After two exciting games, our girls made it to the Final Four. Only the second time in our school’s long history this has happened. What an honor. What a victory! The game was hard to watch, though. Our girls fought so hard. During the game I thought about the pressure Amiya had on her shoulders. At one point during the game when she was knocked to the floor, she slapped the hard court with both her hands. “It’s okay, Amiya, it’s okay, baby girl. You’re still brilliant and beautiful. You’re still magical.” I said it out loud. I didn’t yell it. There were too many people already yelling.
I knew she wasn’t physically hurt. It was worse. She was hurt inside. As the game drew to a close and defeat became inevitable, her demeanor changed. She, like all the other girls, wept. Her heart was broken, her spirit bruised.
Over the weekend I thought about emailing her to tell her I was proud of her and to not be sad. Making it to the Final Four is huge in itself.
I’m glad I didn’t. It is good and right for her to be sad, just for a bit. She is passionate about basketball; she loves her team; she wants to win. It stings, at least for a little while, to lose. But what will last is the way she played during the tournament--with all she had. With magical beauty.
One of my students asked me just the other day if I was tired of reading The Crucible. I have been reading it for more than twenty years. I have it memorized. Every single time I read it, the characters make the same exact mistakes they made the last time I read it, and oh boy, do I get angry! And I am sure they will again this time. Every year, Reverend Parris makes me so mad, and I feel so badly for Elizabeth Proctor. Every year, I listen to Deputy Governor Danforth go on and on with his lofty speeches that really show how pompous and stupid he really is. And every single year I love reading the play again—because of my students.
There is no witchcraft in The Crucible, but there is magic when we read it together in class. My students breathe life and energy into the literature with their new experience, their reactions. I appreciate the play, but it is the people in the room with me that make it alive and wonderful. Jaylyn’s frustration with John Proctor’s affair. Gracie’s total investment in all the characters. Tristan’s reading of Giles Corey and Drew’s becoming too involved in his reading of Reverend Parris. Katie’s exasperation with the stupidity of so many of the characters. The collective chuckles and almost audibles grunts of disapproval when characters say awful things. On these days, when we are reading together, I forget that I am working.
What I want my students to understand, even more than irony and symbolism, is that literature is not designed to be studied in a classroom. When we reduce any art, including the written word, to a rote exercise of getting through it, answering questions, taking a quiz, passing a test, then we have robbed our students and ourselves of the essence of the art itself. Art is meant to communicate on its own terms. Sometimes that communication involves pleasure, enjoyment, sometimes it is cathartic. Literature often asks us to reflect, to ask our own questions, to go somewhere different and deeper and better than a quiz could ever take us. And sometimes literature is meant to just be read and enjoyed and discussed with friends.
Part of my responsibility is to teach my students how to read literature well. Of course that means making sure they understand elements of literary analysis. Of course that means I have to check for comprehension. Of course that means I have to do teacher-y stuff.
But that also, and much more importantly, means that I constantly and fervently and genuinely show my students the joy of literature. If that means we read a few lines and then chat about it, so be it. One of my students said sometimes it feels like we are in a book club, not a classroom. Good. Clubs are fun places to be.
Above all else, above even the love of literature and the value of reading, I want my students to see their own value in what we read, to see humanity and truth. I want them to ask questions and think. I want them to know they are what makes the literature worth reading again.
I am excited about reading The Crucible again tomorrow. Honestly, I am. Because my kids will be there reading with me. So much fun!
We are back in school now. Face to face. Eye to eye. That’s the only part of my students’ faces I see: their eyes. I can’t see them smile or grimace. I remarked to one of them this past week that we need some lessons in smiling with our eyes. Some are better at it than others.
The masks are good. I’m not complaining about them. The masks are good for hiding blemishes. They are also another way to express fashion and creativity. And they are a great shield against the bitter Kentucky winter.
But I don’t know what my students’ smiles look like. How strange—I’ve never seen them smile. But I have made them smile. And maybe that’s enough.
And sometimes they cause my glasses to fog, and I can’t see. And sometimes they cause my voice to be muffled and my students’ voices to be muffled, and I can’t hear them. I have to ask them to repeat again and again. But at least we are talking. Maybe that’s enough.
I decided when the pandemic started that I would merrily go along with leadership on this. I have never lived through a pandemic; I cannot imagine navigating a school district, state, or country through one. When our superintendent says stay home, I cheerfully teach little round dots on my laptop monitor, hoping that my teenagers are there. Some of them actually are there when I call their names. When the superintendent says come back to school, I excitedly show up and wipe down each desk between every class, so happy to have had that desk filled.
But the masks, much like the laptops, are barriers. I talked to a teacher friend last night who had sent over a care package that included throat lozenges and chap stick, among other things, to combat the effects of teaching with a mask on all day. Like all of us, she is overwhelmed with the burdens of the year. It is not the stress of too much work or change in routine that’s got her down. It is the distance she feels between herself and her students. “I just feel like I am not connecting like I usually do,” she said, and I thought I heard her voice waver with the threat of crying. “I don’t feel like I know my kids as much as I usually do. I don’t feel like they know me. There’s a disconnect, and it’s affecting the way I teach.” They are too far away, even when they are in our classrooms. We can’t see them completely. We can’t hear them well. They are hiding behind masks.
Last week, a sleepy teenager nodded off in class and had her head down on her desk. I walked by and, forgetting for just a moment that we are in a pandemic, put my hand on her back. She jerked up and yelled, “Please don’t touch me!” I withdrew quickly, remembering we are in a time when I can’t fully offer all of who I am in the classroom. My students are still children. Sometimes they need a pat on the back or a hug. Now, in a time of real crisis and uncertainty, I can’t offer them that. And I am really good at giving mom-hugs.
This week one of my students returned to school after a two-day absence. Her grandfather had passed away. I could not hug her. And she could not see completely the concern and love on my face. I can only hope she saw enough.
These past several months have been hard on all of us in different ways. My students have watched me struggle physically with neuropathy and fibromyalgia. This past October, my students saw me grieve the loss of both of my grandparents. They did not have to take their masks off for me to know that they loved me and were concerned. I saw it. They were enough.
I joke with my students about how tough of a crowd they are sometimes. All I get are stares—just eyes. I can’t tell sometimes if they are confused, bored, amused, or enthralled. I’m still learning to teach to a room full of masked faces. But I am trying—and they know I am. They are trying, too. That’s what matters, after all. We are together. We are enough.
That’s my mom in the middle of both of my grandmothers eight years ago. These are the three most genetically influential women in my life.
Sometimes I feel my mother’s expressions on my face. Once I became an adult, people started telling me I looked like her. I have none of her features, except maybe my nose—it’s fairly nondescript. It’s the expressions, though, that I get from my mom. The way we read a book or watch a movie. The way we look at people.
I have Mamaw Betty’s coloring. She is the one in the white sweater. She is also the one, at that very church dinner, exclaimed loudly for all my church friends to hear, “Well, I can’t hear a damn thing!” Thankfully, my church friends have a great sense of humor. I have her dark chocolate eyes, brown hair, olive skin. I have her tiny ears, short fingers. Her cheekbones, her lips, the shape of her face—I took them all. One of the last conversations I had with her before she died, and I will treasure this always, she said, “Rebecca, you and me,” and here she pointed back and forth between the two of us, “we are the same.” She repeated this several times. She repeated everything several times. As she spoke, her eyebrows danced up and down. I have those, too.
I am sure she was referring to our eyes and hair and ears, but I am going to believe it was also something much deeper and much more profound, something that connected us beyond what either of us were able to understand at the time. I think of those words often, when I am feeling separate and out of place in my extended family. I have so little in common with them. I love them dearly, but I don’t fit in. Then I remember Mamaw’s words. “We are the same.”
I do not look like Mamaw Thelma at all. She is the one in the black sweater. She is my mom’s mother. For my whole life I saw no resemblance between us, nothing to connect us. I think she felt this, too. I search her face for parts of me—I see none. But if I look deeper, I am there. I am only just now seeing it. I know it is because she and Papaw died just a couple of months ago, and I am looking for ways to hold on to her, the way people do. I took coffee mugs out of their dishwasher, and I took a picture of a note Mamaw Thelma had written. I am still taking, grasping at anything, to keep their spirit or essence or something alive.
The parts of me that are like Mamaw Thelma you can’t see. I get my need to create art from her. I write, but she painted and was quite talented. My favorite painting of hers is a ship in a stormy sea. I remember watching her paint that one. She talked about what it meant, about God being able to calm the stormy seas, even as she painted the giant swells that threatened the ship. But you can still see the ship. It is not sinking. The whole painting is done in shades of blue. I could never tell if it was morning or evening, day or night, in the painting. I never asked.
Right after my grandparents passed away, I was diagnosed with fibromyalgia and small fiber neuropathy. Mom then told me that Mamaw had neuropathy. And then all the weird symptoms and complaints Mamaw had over the years came back to me. I am sure she had fibromyalgia as well. When I mentioned this to my doctor, she said it didn’t surprise her. Fibromyalgia and neuropathy run in families. “Well, now you will always have a part of your grandmother with you.” That made the pain easier to bear.
How genetic patterns settle to determine who we are fascinates me. It is a testament to our connectedness that the very stuff that makes us unique is a mix of so many other people. We all know it is far more than genetic make-up, though, that binds us to one another.
It is not DNA that makes us the same.
It is not heredity that will keep those who are gone with us always.
It is Love.
I teach high school English. My AP curriculum is focused on rhetoric--basically the art of argument. My regular English curriculum is focused on American literature and writing argumentatively in different modes of discourse. My Speech class curriculum includes debate as the primary focus for the second half of the semester. In short, I am teaching my students how to argue well all day long.
Here are the most important lessons:
-Listen. With an open mind, with a kind spirit, with a willingness to understand and find flaws in your own understanding. With a heart to learn. With curiosity, with humility, with respect. With your mouth closed--without interrupting.
-Share with a motivation of explanation rather than persuasion. Because democracy thrives when there is a free and fair exchange of ideas, share yours. When you do, with patience and competence, explain your reasons, supported with evidence and free from fallacies and meanness. Your audience might not agree with you, but they will have learned and grown because of you.
-Be discerning. As you navigate the differing opinions in the world on challenging issues, be careful how you arrive at your own position. Be thoughtful and well-read. Seek unbiased sources as much as possible, and recognize the biases for what they are when they appear. Check everything, consider everything. Seek wise counsel and don’t rush to assumptions. Do not compromise your convictions to align yourself with a wrong idea. Do not be committed to faulty convictions.
-Be compassionate. The most important lesson I teach. This should dictate all of our principles: the well-being of people. The best judgments and opinions come from places of understanding the other person, of empathy, of love. When we come into contact with people different from ourselves, we grow. When we choose to be compassionate, our capacity to hold right ideas increases. Our nation will be better served and far better off if we can raise a generation of people who understand that our worldview must be molded with other people in mind, simply because other people exist. And then, even when we disagree, at the very least we are all trying to get to the same place--what is best for everyone.
Right now, my spirit is wounded, but I have reason to hope in our children. I see in my classroom so much compassion and kindness, so much acceptance and love, so much willingness to work together and move forward. I see in them ideals and principles that have for generations made this country so beautiful: ingenuity, creativity, determination, hard work, competitiveness. And also love, forgiveness, a sense of justice and mercy, genuine concern for other people.
I think we adults could stand to learn a lot from our children.
The classroom looks different for all us. Some are still all virtual. Some are hybrid. For those in school, things still are not the quite the same.
My desks are in rows. All facing the front of the class.
Never in my career has my classroom looked like this. I’ve had desks in groups, desks on either side of the room creating a center aisle (this is a popular design), tables, I’ve had couches and bean bags and recliners. But never this. So the kids up front are close enough to see me sweating and the kids in the back are not sure what color my shirt is.
Rightly so, we have been discouraged from walking amongst the children too much. I spend most of the time at the front of the room or at my new desk situation at the side of the room. I haven’t had a desk in my class for years. I keep all my personal things in a locker and all the things my students need in pink dresser. Now I use a bistro table and an ergonomically designed drafting chair as a desk area. I can see all the students perched from my chair. But I can’t hug them from here.
When I teach and look out at my students, most of them are wearing their masks. Now instead of standards and agenda on the board (those can be found online, specifically on Google Classroom), I have their 10-minute color-coded break schedule listed. I am especially proud of this very teacher-y idea of mine. Of course, students can take a mask break whenever he/she needs one, but I love the fact that I color coded the desks and the break times.
So, I see only their eyes. I can’t see them smile. I can’t see them scrunch their nose or twist their mouth or bite their lip—in frustration or confusion. I can’t read their faces like I used to. Do I need to repeat this, teach it differently? Does this child need something else, something beyond the lesson? I can’t see my students, not the way I am accustomed to seeing them. And it frustrates me.
But this past week, in second period I noticed something. This class is quiet, which makes it even more difficult to see them. I was at the front of the room, teaching. Looking over the room, searching my students for answers and questions, I saw something amazing. Their eyes.
Now, because of the masks, their eyes had become something more. I relied so much on their eyes to tell me so much. And now, I could see more than I could before. Of course, I have always seen my students’ eyes. Obviously. But now—how striking. How powerful. I had forgotten, or maybe had never realized, how much we can see in a person’s eyes.
It also struck me how fortunate I was to see these students eye-to-eye at all. With the uncertainty this pandemic has created and with the losses I have had in my personal life, I treasure every day I get to spend in the classroom with my teenagers. I also appreciate their willingness to wear a mask to protect themselves, each other, and me—and make it possible to be together at all.
As much as I possibly can, I will look for ways to see good in the hardships and tragedies of this pandemic. Seeing my students in a different way is wonderful, indeed.
Delivered with so much love at their funeral on October 16, 2020
Mamaw wanted me to speak at her funeral. It was an unconventional request made several years ago. I never gave her an answer.
But when I was a little girl and wanted ice cream because I was sick, she made a special trip to the store right then just so I could have a bowl of ice cream. And when Mamaw got us Care Bears when we were little, maybe for Christmas, I can’t remember, she got me Tender Heart Care Bear. She told me it was because my own heart was so tender. This gesture said to me that my sensitivity, my quickness to cry, my hyperactive empathy was not a weakness or flaw. I am grateful to her for that.
So, of course I am speaking at her funeral. She was my grandmother. I loved her.
Sometimes my husband calls me “Darlene” when I retell a story or make a hilarious joke that no one else finds funny. Or when I randomly break into song, inspired by what someone has said. Sometimes it’s a look on my face. But he knows how much I love my mom and that there is no better compliment he could give me.
My daddy sometimes calls my mom “Thelma”. And they are so much alike. They share so much beauty, strength, and goodness.
Mamaw made things. Like her daughter one day would, she sewed clothes for her children: matching outfits, a wedding dress for Aunt Cindy. Mamaw painted. I remember us grandkids gathered around her kitchen table while she worked on her paintings. And she made biscuits. But it wasn’t just the biscuits. Everything she made was delicious. In the same way, everything tastes better at Meme’s, my mom’s, house now, according to my son, Joe.
Mamaw was beautiful. The younger pictures of Mamaw remind me of my mother and my niece, Charlie. I see them there in Mamaw’s clear eyes, her thin lips. It’s a clear beauty. By that I mean it captivates by its transparency and mystery. It is unadulterated, pure, and unpretentious.
Mamaw was strong, maybe stubborn. My grandmother buried three children, lost three homes, and dealt with so many other heartbreaks. She raised a family and weathered life with resolve and fortitude. She sacrificed so much.
Mamaw was loved by her children. With the heartaches that come with life, through all of the trials and pain, her children never stopped loving her. My childhood is filled with memories of Mamaw with her daughters. The Disney trip with all eight of us crammed into one hotel room. The World’s Fair. Countless trips to town. And so many days and evenings of being together at someone’s house. When my mom had a kidney infection after Rene was born, it was Mamaw she went to. When John decided to come into the world far too early, Mamaw was there. In the same way, my sisters and I love being with our mom, the same way Lauren loves being with her mom. Our moms learned that from their mother. They have passed that on to us.
My mom is her mother’s daughter. She possesses all the qualities that made her daddy fall in love with her momma. She possesses all the qualities I loved about my grandmother. And there were so many.
When I was a little girl, I stood in front of Papaw who sat on the couch in his family room. We were eye to eye. “Okay, Little Debbie, I’m going to make this here quarter disappear,” he said. Then the quarter he had shown me was gone. “Where is it?” I squealed, delighted and in awe of my grandfather’s magical powers. “I made it disappear,” he said, laughing. “But where is it?” He turned me around. “Look up yonder at the ceiling. It’s up there, floating all around. You just can’t see it. Maybe if you squint real hard.” I did, but I saw no quarter. I did hear Papaw laughing behind me. When I turned back around, he had the quarter between his stubby fingers. “How did you do that, Papaw?” I was amazed. “Magic,” he said.
I think Papaw is still up to his old magic tricks. Just like that quarter, he hasn’t gone anywhere. Not really. We just can’t see him.
One of my earliest memories is in Mamaw and Papaw’s living room full of people and children and Buddy the Chihuahua. Mamaw sat beside Papaw while he strummed his guitar and sang. Around the room, everyone was singing and it went on and on. And it was happiness.
This scene has stuck with me because it is when I started piecing together who was who and how they were connected to me and why they loved me. In other words, it is when my identity started, while Papaw sang to his grown children and their families. That sweetness imprinted on my soul. That love was powerful.
When we were little, we spent a lot of time at Mamaw and Papaw’s house, John Wayne or Spaghetti Westerns on the TV in the background, bunches of cousins running around, and so much laughter. When we were very little, he bounced us on his knees and sang “Old Man Brown.” When we got in trouble and was fussed at by Mom or Aunt Cindy or Mamaw, Papaw would crook his finger and say, “Goody, goody, goody.” And smile.
He told us stories of wompus cats and pole cats, of Santa Claus spitting in our eye. He sang songs with our names in it. And he had nicknames for us: Little Debbie, Blondie, Dump-dump. He wrestled and tickled and played and ran around when he was younger. Then when he was older, he still tried to do all of that. He played volleyball at family reunions with all the young people. He never stopped playing corn hole with his Body and anyone who was around. Until the very end, he never stopped playing.
And he never stopped smiling. Papaw found joy in everything. He was a simple man who delighted in simplicity. Make no mistake—by simple I do not mean that Papaw was unintelligent. He saw the world differently than most are capable. He had no use for grudges or contention. He had no time for complaining or arguing. He truly loved like Christ - completely, unconditionally, with grace and joy. Because of that, he saw the world through the eyes of love.
My Papaw, the Godly man that he was, is the greatest example of Christ-like love I have ever known. Sometimes it upset me, because it was so true and so fierce that it was unfair to him. Sometimes I wanted him to think of himself. Sometimes I wanted him to get angry. Sometimes I saw his gentle spirit and blindness to the faults of others as a character flaw. But I know better. It takes great strength to love another so completely, it takes great wisdom to see beyond earthly comforts, it takes great understanding of the Biblical truth of what love is in its purest form to live the life my grandfather lived. And because of that, he had a life of joy. Because of that, everyone in this room knows he was a good, genuine man who always meant well.
My own faith in Christ ultimately began with my grandparents, and I am sure I am not the only one here who can say that. My earliest memory of church has Mamaw in it. Gina was asleep on the pew and I stood by Mamaw. And we sang together. I remember how she clapped her hands, closed her eyes, tilted her head back. At one point she cupped my face with one hand, pressed my head against her outer thigh while her other hand was raised in worship. I felt love.
There was a time, later in his life, when Papaw attended church with me for several months. I had my own family then. What joy to hear my Papaw’s loud, rough, wonderful voice belting out hymns in my church, with me.
But their faith was more than church attendance and following rules. Their faith was truly about a relationship with Christ and a community of other believers. My grandparents were flawed people, just like we all are, but they were forgiven people. Faith is not about living a perfect life. Faith is about love.
Theirs is truly a love story. Theirs is a love story that is about devotion and forgiveness. It’s a love that sees beauty hidden beneath wrinkles and pain and grief, a love that forgives completely and finds joy in serving, purpose in giving, delight in humility. It is a love that sacrifices, provides, completes. It is a love so strong that it follows through death into eternity where it will last through the ages in the heavens and through the generations of their children and their children and their children and so on.
Near the end of their love story, as the dementia took over, Mamaw was often in a hurry to leave when they were over visiting at Mom’s. Most visits during the last several years ended with “Come on, John,” or “Time to go, John,” or “John, I’m ready.” And Papaw would jump up, “The wife is ready. I gotta go.” And we would all plead with them to stay, just a little longer.
And so, with Mamaw hurting, it was time for her to leave this earth. It’s as if her spirit said to her husband one last time, “Let’s go, John. It’s time to go.” And he followed her. His heart would not work without her with him anyhow.
There is so much sadness and uncertainty around death, even for those with the strongest and surest of faiths. But I am certain of this—my Papaw would not want us to weep for him. My Papaw died doing exactly what he delighted in doing-loving and caring for his wife. I’ve heard his voice in the quiet moments over the last week, saying things like, “Sister and Poohdle-loo, thank you for letting me take care of your mama the way I wanted to. You both did great.” I hear him saying things like, “Mule, I’m always proud of you. Keep an eye on my girls.”
I also hear him say, to the rest of us, “I swuneey, there’s a lot of y’all here. But I sure wish y’all wouldn’t be hurting so much on a count of me and Thelma. We’re okay. I love all y’all. I sure do.”
Mostly over the past several days, I have heard him chuckling and laughing as I’ve thought back on memories of him and Mamaw. That is the music I will keep with me most, my Papaw’s laughter.
And I will wait for the end of the magic trick, when all secrets will be revealed to us. Like it says in First Corinthians, “For now I know in part; then I shall know fully, even as I am fully known.” I will wait for the time when we will see our Savior and our loved ones. Oh, what a good laugh we will have then.
I can’t find her. I’ve searched and searched. I’ve looked her up on Facebook and Instagram and Google. Maybe I have the wrong name.
And I feel her slipping from my memory, like everything does as the days go on. Not really slipping. Nothing slips, it just gets pushed back further, more inaccessible, harder to get to, darker and more indecipherable, fuzzier. Our memory is never completely reliable, and the fuzzier it gets, the older, the more we embellish or interpret. But it is our own. It is truth. It is ours.
I can’t find Miss Keeling in the world. I don’t know her first name, but I think maybe it was Lisa. I’m not sure if I’m spelling her last name correctly. I see her face, but it is only beautiful in my memory. I see her face, but it is only goodness and truth and love in my memory. I see her face, but only the way a third grader would see it, only as it was more than thirty years ago. I see her as a princess, as the smartest person in the world, as one of the best people I ever knew.
The year before I came into Miss Keeling’s class, my teacher was Ms. Berstein. I am not trying to find her. She was nice. I knew this because I saw her once outside of class. She had her granddaughter with her, so it was then I realized that she was in fact an actual real person. She hugged me, drowning me in her strong perfume. I don’t know the name of it, but if I were to smell it today, I would know it immediately and be repulsed by it. Ms. Berstein talked with my mom for a while and was all smiles, pink lipstick on her teeth and outside the lines of her lips, sweat making her short white hair stick to the frame of her face. Her granddaughter and I stood staring at each other. We were the same age. I wondered if she feared her grandmother the way I feared her—completely. Was she a prisoner? I felt sorry for her. “Oh, Becky is such a lovely student!” I heard Ms. Berstein say. In all my years, she is the only person who has ever called me that with any regularity. I was too scared to correct her the first day of school. On that first day, I had called her “Mrs. Berenstein,” like the bears, to which she snapped quickly and harshly that that wasn’t her name. I was deeply humiliated and completely frightened. A few minutes later when she called roll and called me Becky Youngblood, I let it slide, even though no one ever called me that, not even as a nickname. But I quickly decided that I was a kinder person than she. I would prove a point. Plus I was terrified. I would stay terrified all through second grade.
Until third grade, when Miss Keeling became my teacher. She was so different from Ms. Berstein. She called me Rebecca. And Bec. And Rebec-bec-bec-bec-a. And R. And Sweetie. And Baby. And Love. And sometimes Miss Youngblood. And I loved all those names. And her perfume smelled sweet, soft like flowers.
I could relax her in class. I was never afraid or nervous. I always felt like Miss Keeling liked me. I always felt safe and happy. More than anything, I wanted to learn and make her happy.
I don’t remember much from third grade—that was 1987-88. But I will tell you what I do remember. Miss Keeling. Her laugh. It was loud, not a single bit reserved, and oh how I loved it. It invited me to relax and smile and laugh, too. One afternoon, I slid my sandals off as Miss Keeling taught. I had seen her do the same so often as she taught. And her toenails were always painted an exquisite bright color. “Oooweee, what’s that smell?” Miss Keeling smiled broadly and looked at me. I sheepishly slid my feet back into my shoes. “No, girl, I was just joking! Take those shoes back off and be comfortable while we’re learning! There’s no smell! I wouldn’t do that to you, baby!” Miss Keeling was trying to not laugh too much at my perceived embarrassment. I loved her for it. It reminded me of how my own family would have joked with me, but she was careful not to take it too far. I kept my shoes off for the rest of class. I hoped she noticed that I had painted my toenails to match hers. She did. Of course she did.
I wanted to be like Miss Keeling because she was so pretty. I loved her makeup, with the bright red lipstick and daring eye shadow colors, her clothes, and shoes that clicked on the floor. But it was more than that. It was her. She was beautiful. Her angled jawline, her slender fingers that danced in the air when she talked, her toothy, full smile, her animated eyes, her deep-chocolate skin—everything about her was perfect. She was beyond perfect. A princess. Magical. A teacher.
I wanted to be like her because Miss Keeling smiled a lot. Every single day. I don’t remember her being in a bad mood. Surely, she must have been, but all I have are happy memories of her. I loved learning in her class. She was always so excited to see me. She hugged me, sometimes kissed my forehead or tugged gently at my ponytail, the way my aunts always did. She praised me loudly for right answers—like I was a genius. Sometimes she even danced around the room, she got so excited. When I struggled to understand something, usually in math, she made it fun, made it accessible. Somehow, she was always very aware of how my heart was doing, just as much as my academics. I loved her for it.
I wanted to be like her because Miss Keeling was the smartest lady in the world. She knew the answers to everything and knew everything about everything. It was like magic to me. She knew math and science, but also she knew so much about what happened in the past and why it mattered so much in the present. And when she read a story, oh that was the best. I could listen to her read for hours. Her voice is still clear to me, all these years later. Strong, powerful, and so pretty. She could make her voice go deep and low with the character or soft and quiet; her voice became music often when she read.
I am certain that my love for literature was borne in her classroom, under her voice. I know it was in her class when I started writing. Our class was to participate in the school’s talent show, and Katie, one of my best friends, and I were narrating the dancing-through-the-ages short play. Miss Keeling let us help write our lines.
During the performance, Katie and I sat on the floor at the front of the stage, our short legs dangling over the edge, for the entire performance, while the rest of our class danced behind us. We were the only ones with a speaking role. Then at the end, we joined our classmates for the final number. The best part—I got to wear a poodle skirt.
The show went great. Miss Keeling and the other third grade teachers sat on the front row, in case we forgot lines or the dancers behind us forgot what to do. And they smiled and encouraged us the whole time.
After the talent show, Miss Keeling hugged all of us, one by one. I wrapped my arms around her tiny waist, she bent down, whispered into my ear, “Beautiful, Rebecca, just beautiful!” and rested her cheek on the top of my head. I loved her.
A few days later Miss Keeling told our class that we had been asked to perform as the entertainment for the Miss Black Plaquemines Beauty Pageant. We would do our little play while the judges calculated their scores, but we would get to watch the whole pageant beforehand.
I was ecstatic. I had watched Miss America on television every year with my mom and sisters since I could remember. My sisters and I pretended to be beauty queens and have our own pageants. I dreamed of being a contestant. I dreamed that I would one day morph into someone slender and beautiful, someone who could wear high heels with bikinis, someone beautiful. Someone not who I was: chubby, awkward, uncoordinated, shy, not very pretty.
At the pageant, I sat in my poodle skirt and watched dozens of young beautiful Black women cross the stage in princess dresses and then swimsuits. They sang and danced. They spoke and smiled. It was like the Miss America pageant was right in front of me, live, just on a smaller stage. It was a dream come true.
I took in their beauty—their smiles, their eyes. Their hair—Afros tamed with pins and barrettes. Bright makeup, glittering jewelry. I admired them for the same reason any little girl admires princesses and beauty queens: women are beautiful creatures. They simply are.
When I was in third grade, watching all these women parade by in their dresses, I know I noticed their Blackness, but not in the same way my adult-self would be conditioned to. I saw their Blackness as it was, another part of their individual beauty. They were all different colors and shades and shapes and angles. Different voices and smiles and movements. I noticed their Blackness as something meant to be noticed, something uniquely their own, something beautiful and wonderful and exquisite. Not something in contrast to my whiteness. I didn’t see them as the other, because I had no concept of what “the other” meant. All I saw on that stage was beauty.
After our performance and Miss Black Plaquemines was crowned, we waited around for a little while. To my great delight, the contestants all came out and congratulated us. I was surrounded by gorgeous, talented women telling me how pretty I was, how I did a great job, how they loved my performance. I had been on their stage with them; I didn’t feel chubby or ugly. I didn’t need high heels or a bikini to be pretty. All I needed that night was my poodle skirt and to be myself.
In the talking and hugging, there was Miss Keeling, the prettiest, most intelligent, kindest, best princess of all. I wondered if Miss Keeling had won a Miss Black Plaquemines before she had become my teacher. She laughed at something and it was music. Beautiful.
I am still searching for Miss Keeling. But even if my search turns up void, and despite my faulty and failing memory, I have her always in the echoes of her laughter and the lessons she taught me. She is a part of me. And I am a more beautiful person because of her.
Today I went to school and started work on my classroom. My sons and I moved all the extra furniture out to make room for spacing student desks. I got a little grumpy with my children. I was hungry, but I was also worried we were moving furniture in vain. Several times I wondered if what we were doing would be enough. I also wondered if we would even return to school next month. “Just put the table there. I don’t know,” I barked at one of my kids. I was thinking about all of the uncertainties that loom over everything and are threatening to ruin my joy. I pushed the thought aside and continued moving furniture.
Welcome to my Blog! I am a wife, mother of three, high school English teacher, and a graduate of the Bluegrass Writers Studio at Eastern Kentucky University. Before anything else, I am a woman of faith.